Guest post by Melissa Smith, AP English Literature and English III Teacher, Lake Norman Charter High School
Melissa is in her 11th year of teaching high school English. She is a National Board Certified Teacher and has experience teaching grades 10-12, AP Language, and AP Literature. This post originally was submitted to APLitHelp.com.
Defending Controversial Texts
by Melissa A. Smith
Fortunately, as AP
Literature teachers, most of us have the opportunity to choose which novels we
teach our students, which can be both a blessing and a curse. What happens when
a student or parent challenges a book? I’ve had to defend my novel choices several
times, and have found that the most effective argument is based on multiple
premises.
Is the challenged text considered to be one of
the books
all students should read before college? Or one of
the top
100 books of modern times? Has it won awards such as the Pulitzer, or has the author been awarded a Nobel
Prize?
Also helpful is if your challenged book appears on the AP list of texts referenced on past AP exams. Question 3 on 2015's AP exam requires students to “select a novel, play, or epic poem in which acts of cruelty are important to the theme,” and to analyze “how cruelty functions in the work as a whole and what the cruelty reveals about the perpetrator and/or victim.” Question 3 on the 2004 Form B exam focuses on a scene of death. The prompt from 2003 asks about tragic figures and suffering; and 1982’s prompt states, “In great literature, no scene of violence exists for its own sake.” Students were then asked to analyze how a scene of violence contributes to the novel’s overall meaning. If students have not read books containing such content—cruelty, death, suffering, and violence—how would they be able to successfully respond to these prompts?
While accolades and previous AP prompts are helpful in trying to convince parents that their child will not be corrupted by the atrocities found within the pages, they may not be enough.
Examine your reasons for picking the book in the first place. Finding a range of texts illustrating the spectrum of the human experience is a worthy goal in any literature course. Does the book contribute to students’ diverse reading experiences? Does the book allow them to see outside of their bubble into lives different from their own? Does the book raise awareness of prejudice and injustice, or promote equality and inclusion? Here is where your best argument lies.
Characters who endure hardships, but are able to
overcome and persevere, create a testament to the resilience of the human
spirit. Students should be encouraged to examine texts in a cultural
context to appreciate the diversity and complexity of world issues and to connect
global ideas to their own experiences. What students can learn through
literature is valuable as they grow and learn to be educated, well-rounded
members of our society. The
nature of higher-level AP English classes is to make students question the inequities
in the world and, as a result, develop a broader world view and sensitivity
toward persons of different backgrounds and experiences.
Before you read, provide a disclaimer. Explain why they are reading the novel. Be up front that it contains violence, perhaps swearing or some disturbing scenes, and that the goal of reading and discussing the text is not to focus on these incidents themselves out of context, but to ascertain why the author chooses to include these elements of the novel. Encourage students to see past the shock value to the literary qualities. When students react to the text, praise them for being attentive readers and having the response that the author intended them to have. Being proactive helps to diminish the negative reactions. For example, before we begin Toni Morrison’s Beloved, I read this disclaimer:
This novel is intense; there are some
mature and disturbing scenes. Morrison did not write these scenes on a whim or
to present them as “right” or to condone them. What she is trying to do is make
you feel a reaction to her text. She wants
you to be disgusted, outraged, and to have a powerful adverse reaction to the
story.
This is a story about slavery and
the effects of slavery, a nightmare that we as a nation and culture cannot
forget about. This novel is based on true events in the life of Margaret
Garner, and on the events in the lives of many slaves just like her. You can
hate parts of this novel; and you should hate them; but we can’t turn our heads
and pretend like these things didn’t happen. They did. They are woven into the
fabric of our history, and sometimes we border on forgetting about this dark
part of our country’s narrative.
Nowadays, we find it hard to comprehend how such atrocities happened,
and we may not understand the evil nature of it. Morrison writes this story, which she calls
“not a story to pass on” and compares it to “a bad dream,” to make us remember.
She dedicates the book to “Sixty Million and more,” an
estimated number of people who died in slavery. Beloved’s character represents
Sethe’s unnamed child, but also the nameless masses who died and remain
forgotten. With this book, Morrison decrees that they are beloved as well.
I also include a brief statement in my AP
course syllabus which states to students and parents that mature texts will be
read, and that alternative readings or any form of censorship will not be
offered.
Both parents and students sign it at the beginning of the year.
Lastly,
you have to teach the book. The first
year I assigned Beloved, I was
terrified; I didn’t feel comfortable discussing (with my mostly conservative
bunch) some of its more mature content. In that unit, I failed my students—they
felt lost, I felt inept, and the book was not given its due. Since then, I’ve
realized that students need guidance and I’m the one that has to give it to
them. After failing the first time around, I learned a valuable lesson. Students
aren’t going to always see past the horrors to accept the beauty. It is up to
us to show it to them.
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The opinions shared in this blog belong to Craig Smith (or guest blogger) and do not represent the school or district in which he works.
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